Happy Valentines Day!

Happy Valentines day folks!

The Tearjerkers sepia photo

Here's an over-looked gem from more than thirty years ago.

Some great Power-Pop from Northern Ireland, well Belfast and Portadown to be more precise.

Part of the whole Terri Hooley / Good Vibrations scene that also gave us Stiff Little Fingers, Rudi, The Outcasts etc,.
B-side to their second 7” [Murder Mystery] on the (Mod?) Back Door label.
From January 1980, the excellent "Heart On The Line".

The Tearjerkers 2nd 7

You can check out lots more on the band here at:


...as ever,

all the very best - yer pal The Rev XXX

Punk history lesson: THE SAINTS

OK campers a small history lesson.

In 1976 when punk really was just in it's infancy and you could count the total number of it's 7” releases on ONE hand.
This bolt from the blue (Australia actually) arrived in a handful of the UK’s best record stores. Sounds single of the week clipping

We’re talking of a time when shops proudly displayed small notices (that would later blossom into full A1 poster sized lists) emblazoned with the immortal words – we have the following punk rock records in stock…

A complete D.I.Y. 7” released in September 1976*, more than a month before The Damned’s “New Rose” and two months before the Sex Pistols debut “Anarchy In The U.K.”
* yeah I know the video says 1977 - but the band were actually picked up & signed by Harvest/EMI, who reissued the single a few months later in 1977. Hence the video.

Often over-looked The Saints released at least two of the scenes best albums, EVER!

Images for The Saints first two albums

Namely “(I’m) Stranded” their first and “Eternally Yours” it’s follow up = both essential purchases. They also even had a UK chart hit with the blistering “This Perfect Day”, which in turn lead to an appearance on Top Of The Pops.
They even had a cameo appearance in the TV action series The Return of The Saint.

Here’s some ferociously primitive live footage of the band playing Paddington Town Hall Sydney, back in April 1977.

"They were kind of god-like to me and my colleagues. They were just always so much better than everybody else. It was extraordinary to go and see a band that was so anarchic and violent."  • Nick Cave

They were without doubt the real deal – I know because I saw ‘em play Middlesbrough Rock Garden about six months after this live in Sydney TV footage.

your pal, The Rev XXX

P.S. I very strongly recommend investing in a copy of the bands "All Times Through Paradise" 4CD boxset.
It contains all of their first three albums, plus singles, b-sides etc, unreleased outtakes, plus some fantastic live recordings.
All re-mastered by the band themselves, together with a great informative book.


Halloween Horrors • #5

 Roky Erickson
“I am the Lone Rangers friend Billy Jack, the drunk werewolf of woodstock, saying ahh oooh werewool-aah!”

Where do I begin ?
Pretty much his entire output since the mid-seventies lends itself to the horror genre, but it hasn’t always been like that…

Born in Austin Texas 1947 he learnt to play the piano from the age of five, and guitar from the age of ten. However the young Rokys musical world changed dramatically as he hit his teens. The British invasion and the discovery of domestic US talents like Bob Dylan, inspired kids all over America to pick up instruments and head for the garage

His first band proper THE SPADES had a regional hit with the Roky penned "We Sell Soul".

The Spades colour photo

Then sometime around the end of 1965 he was poached by a new up 'n coming Austin band of heads, the 13th FLOOR ELEVATORS.
Eager to turn the world onto their unique blend of jug-band psychedelic soul beat music.

13th Floor Elevators B&W live pohto

Within months they were in the studio recording another of Roky’s old SPADES tunes.
Originally released locally on the Contact label in January 1966, but then picked up and signed to International Artists of Houston they had a national US hit with “You’re Gonna Miss Me” by October of that year.

Avalon Ballroom posters image

Touring, regular appearances in San Francisco at the Avalon and Fillmore, plus numerous TV appearances throughout the summer of love.

Set the band up nicely for the release of their first album 'The Psychedelic Sounds of…' in November 1966.

Their timing and their message did seem impeccable for the emergent new counter-culture.
A second album ‘Easter Everywhere’ (their best in my humble opinion) was released a year later in November 1967, but really the cracks within the band were beginning to show.  -  The classic artistic differences, and drugs.

13th Floor Elevators 1st & 2nd album image

Copious amounts of psychedelics consumed and enthusiastically endorsed by one half of the band, whilst been condemned by the others. With such high profile drug use came the attention of the local Austin law enforcement officers, determined to make an example of them. Added to this, the increasingly fragile state of Roky’s mind. He appeared to be on a very similar journey to that of UK musician, Syd Barrett of the Pink Floyd.

In 1968 after various incidents Roky was diagnosed with paranoid schizophrenia and packed off for electroshock therapy.

In 1969 after been busted for a single marijuana joint and looking at a 10 year sentence he pleaded guilty by reason of insanity and opted for a spell in the Austin State Hospital. Only to eventually end up (after several escapes) in Rusk State Hospital for the Criminally Insane, where he remained till 1972 suffering yet more electroshock therapy and Thorazine treatments.

Sometime around late 1974 early 1975, he formed his first post-Elevators band BLIEB ALIEN, and officially declared himself a Martian…
“I am NOT a member of the human race and I am in fact from a planet other than earth. I hope that this will prove to the person who is putting electrical shocks to my head that I am an alien.”

• from Roky’s declaration drawn up by his lawyer Peggy Underwood.

However it wasn’t really until 1977 that his musical profile became more raised outside of his native Texas. Live shows, singles, wacked-out radio interviews and resurgent interest** in the Elevators helped fuel his increasingly mythological status.

(** Technically speaking the band never had anything other than a few singles released outside of the U.S.A., but in 1972 “You’re Gonna Miss Me” appeared on the legendary Nuggets compilation, and later in 1978 Radar Records reissued their first two albums domestically here in the UK.)

Roky Erickson - Bermuda 7

Virgin records home of the Sex Pistols, licensed the 7” “Bermuda/The Interpreter” for the UK market.
Then in 1979 major label CBS, decided they wanted a piece of the action. Domestically releasing his debut album - Roky Erickson & The Aliens (aka TEO), both here in the UK and in Holland.
Whilst in the U.S. it fell to San Francisco independent (punk/new wave) label 415 Records to release a slightly re-jigged version under the title of “The Evil One” a year later in 1980.

The Evil One LP images

The backdrop to all of this was however very confusing, and not very conducive to any kind of mental stability.

Relationship problems, two wives, kids, heavy drug use, abstention, prescribed medication, severe line up problems with various backing bands and all the while becoming more obsessed with horror ‘n demons whilst communicating via babbling comic stream-of-conciousness.

In short what Roky really needed was probably a full-time carer and not the rock ‘n roll lifestyle – although the playing of his guitar and singing did seem to be a calming influence on his psyche.

As you can see in this footage from 1983, filmed thirty years ago exactly on this very day – he does not look or sound like a particularly well man.

This downward spiral continued all the way through up until 2001, when his brother Sumner intervened.
Was granted legal custody of him and set up a legal trust for his aid.
All of which is heart-wrenchingly covered in Keven McAlester’s sympatheric documentry "You're Gonna Miss Me" (2005)

You're Gonna Miss Me film DVD image

Today Roky is a much improved healthier person, back playing live and recording new material.

I know, because I made the pilgrimage to the Royal Festival Hall London, in June 2007 to see him play live as part of the Jarvis Cocker Meltdown festival.
His first ever appearance in the U.K. - an honour and a privilege to behold.

Roky Erickson today photo

Thank you for dropping by, your pal The Rev XXX

Anybody out there feeling the need to dig a little deeper, (and I strongly advise it) should check out Paul Drummonds fantastically in depth book.
'EYE MIND: The Saga of Roky Erickson & the 13th FLOOR ELEVATORS'

ISBN-10: 0976082268

Eye Mind book cover

Halloween Horrors • #4

Sugar Pie DeSanto

SUGAR PIE DeSANTO • "Witch For A Night"

Filipino/American rhythm & blues legend of the 50's 'n 60's - still going strong today at 78 years of age!

Sugar Pie DeSanto photo

She toured with THE JOHNNY OTIS REVUE and THE JAMES BROWN REVUE in the fifties and early sixties, before signing to Chess records in 1962.
Her biggest tunes were probably "Soulful Dress" (1964) and the duets she did with childhood friend Etta James "In The Basement" and "Do I Make Myself Clear" (1966).

All of which, together with lots more goodies, can be found on the fantastic Ace/Kent compilation "Go Go Power - The Complete Chess singles 1961 - 1966". Released in the UK back in 2009.


Last Halloween treat going up tomorrow.

yer pal,

The Rev XXX

Halloween Horrors • #3

Now this one folks is obscure…
Jolly Tambourine Man 7
JOLLY TAMBOURINE MAN a Canadian band from the early eighties, they made a cassette and one DIY 7” single “Apple Strudle Man”.

Cassette cover image

As mentioned in previous posts, I have a very big VHS video collection that is currently covered in dust and rotting away in a garden shed. Amongst it’s many buried treasures is a promo film for “Apple Strudle Man”, aired on UK cable TV network Music Box back in tha day.
When video technology and cable TV was in it’s infancy I recorded practically anything musical that appeared on it.

Jolly Tambourine Man, I now know from their Wikipedia entry… Made a video for their first 7” which also coincided with the launch of the new Canadian answer to MTV, MuchMusic. The video went on to become one of the first independents to be added on rotation. So my guess is, that it was a similar story over here in the UK, with Music Box crying out for anything a bit different and not all coming from the major labels.

The video has a bit of a David Lynch / Eraserhead feel to it, with lots of great barnets, some scratchin’, a TAD-like front man, and (as she’s credited on the record) a grinning hot chick on accordian.


as ever, yer pal

the Rev. XXX